vineri, 2 octombrie 2020

World Haiku Review -Autumn 2020

 EDITOR’S CHOICE HAIKU

coronavirus -

he strives himself to prove of God

that he exists

 

Dan Iulian   (Second Place)

 

 

This haiku poses ‘the’ big question – a forbidden one, the taboo for a long time. A catastrophic event like COVID-19 inevitably evokes an urge to ask the most fundamental questions. Many say that COVID-19 has happened for God or gods to punish our sins. Others use it as yet another proof that He or gods did not, or could not, prevent it from happening to save us. Still others feel that God or gods categorically have nothing to do with it. We are in a mental and emotional wasteland under COVIS-19 not only because of its voracious appetite to infect but also because we don’t know much about it. Fear of the unknown is liable to lead to blind belief in super-human or supernatural forces. Neither science nor the government is guarantee of reassurance or remedy.

 

Dan Iulian is more nuanced and delicate. We don’t know who this ‘he’ is in line 2 (I have advocated strongly that pronouns should be avoided in haiku, except ‘I’ and when it is obvious whom a particular pronoun is referring to). More difficult to decipher is line 3 where there is a double entendre. ‘He’ can be the same person as the one in line 2, or ‘he’ can be the god, even if it is not written as ‘He’, which is a convenient feature of haiku tending to be written in small letters. So, one interpretation could be that there is a man (perhaps the author himself) who is trying hard to say to God that he (the man) is still 

alive and that he wishes to be saved from the ravages of the virus.

 

The more controversial but common interpretation would be that the person in the haiku finds his belief in God shaken in the face of COVID-19 and is struggling to fight off the lingering doubt that He does not exist after all if He allows such disaster to humanity as COVID-19 to happen and does not do anything at all to save us from the infection and/or death or serious cases emanating from it, or even to help our doctors, nurses, care workers or academics, and indeed all our citizens who are desperately fighting against the virus. From the haiku I hear painful and pitiful voices saying, ‘Where are you?’, ‘Why and how could you forsake us?’

 

This desperate cry is beautifully and subtly related by Albert Camus in an almost imperceptible change which occurs within the priest who first oppressively and agrily chides the citizens for their sins causing the plague but gradually realises that his condemnation is wrongly directed.

 

 


Neo-Classical Haiku Section-Zatsuei (Haiku of merit)

 autumn in Venice –

from an empty gondola

rising moon

 

Steliana Cristina Voicu

 

Shintai Haiku Section-Honourable Mention

marriage picture

taken off the wall

the brighter spot behind

 

Mona Iordan

 

Shintai Haiku Section-Zatsuei (Haiku of merit)

 

white birch

cut in the bark

the heart still growing

 

Mona Iordan

 

 

Vanguard Haiku Section-Second Place

 

coronavirus -

he strives himself to prove of God

that he exists

 

Dan Iulian

 

 

Vanguard Haiku Section-Zatsuei, Haiku of Merit

self-isolation

turning my balcony

into a greenhouse

 

Cezar Ciobika

 

corona outbreak -

in my drawers

piles of love poems

 

Ana Drobot

 

 

social distance -

the roses are planted

apart

 

Ana Drobot

 

coronavirus-

measuring whose loneliness

is greater

 

Dan Iulian

 

without social distancing –

the tree

full of birds

 

Capotă Daniela Lăcrămioara

 

with masks and gloves

we look at each other

like two strangers

 

Vasile Moldovan

 

Neighbor‘s bed is empty-

he is gone, maybe home,

maybe in eternity

 

Vasile Moldovan

 

artificial lung -

every breath of air is worth

its weight in gold

 

Vasile Moldovan

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