sâmbătă, 29 martie 2025

L'Ours dansant – Le journal gratuit du haïku N° 47 – Mars 2025




 FLORILÈGE 

 THÈME : LES FÊTES


arbre de Noël 

 ça scintille dans les tendres 

 chansons des enfants 

 Mihaela COJOCARU, Roumanie


 jour de fête 

 essaim de mouches 

 autour des gigots 

 Rodica P. CALOTĂ, Roumanie


 la fête des mères 

 toujours dans mon téléphone 

 son numéro 

 Mirela BRAILEAN, Roumanie 


 Réveillon de Noël 

 seules les voix des chanteurs 

 remplissent la maison 

 Mirela BRAILEAN, Roumanie



http://www.100pour100haiku.fr/


miercuri, 26 martie 2025

Contemporary Haibun 20 Anthology

 Available to order through both Red Moon Press and Amazon.


Omnibus

I knock on our house door, but it's not my mother who opens. Seeing my doubt in front of the door, the wind smacks it against the wall. Something that looks like a being, a steamy silhouette wearing a long flowery printed dress, swirls around, engulfs

me, while its imprints fly all over the room. What a fresh plum blossom scent!

Suddenly, the wind calms down, the clouds wash out, and the ghost is gone, but all these white petals left on the floor are a sign that I'm not the only one coming home now and then...

 

honeycomb –

a butterfly alights

on the sweet knife

 

Lavana Kray

luni, 24 martie 2025

ESUJ-H Haiku Martie

air-raid siren —
in overflight
a kite
                                                                     Dan C. Iulian

***

chilly morning
the toad in me
sits in the sun
                                                                     Daniela Lăcrămioara Capotă

https://www.esuj.gr.jp/event/5_index_detail.php

vineri, 7 martie 2025

The Mamba Journal of Africa Haiku Network Issue 7, February 2025

 





Ana Drobot, Romania 

 

 

wet season – 

the underwater world 

in virtual reality 

 

wet season – 

my imagination 

runs dry 

 

hot tea – 

even our smiles 

grow warmer 


https://africahaikunetwork.wordpress.com/wp-content/uploads/2025/02/mamba-17-february-2025.pdf?fbclid=IwY2xjawI30y9leHRuA2FlbQIxMQABHY_GbXRyQQXPD5Jhknr0VoTQ7aF_sVOh5bsZzEN2xq_RIkU_RDcJjg0fbw_aem_v3fntXId4dKzdgNRt0Fydg

ASAHI HAIKUIST NETWORK/ David McMurray - March 7, 2025

 steaming

sesame seed bagels…

queue at the new pastry shop

--Steliana Cristina Voicu (Ploiesti, Romania)


***


Florian Munteanu might have received a black forest cake filled with cherries in Bucharest, Romania.


the last night before

evil spirits fly on the earth

cherry tree birthday


https://www.asahi.com/ajw/articles/15648521?fbclid=IwY2xjawI30gZleHRuA2FlbQIxMQABHa7URe4zPFT6jEPQsLoaclDF5FXgHfaZnt-pA0HMKmkEvLJ5LEr2pucznw_aem_rFfm6w0sccZvU1HmBn-gLA

Haikuniverse, March 6

 haiku by Steliana Cristina Voicu


pastry moon –

my sister baking

pain au chocolat


https://haikuniverse.com/haiku-by-steliana-cristina-voicu-5/?fbclid=IwY2xjawI3zZpleHRuA2FlbQIxMQABHbCeoajUnqZ3h_Fe4dj3cGEFNT5T12G9F3V2JwqO_jZ_h-4Nz2raBYvieA_aem_XYD_eiAMD7CDlIRtAapviw

duminică, 2 martie 2025

Haiku Classic: March 2, 2025 -- Full circle - Mainichi Japan

 a new sound

    from an old instrument

    spring thaw

    -------------------------------------

    Cezar-Florin Ciobica (1971- ). From "Frogpond", 37 (3), Autumn 2014, The Journal of the Haiku Society of America. Issue edited by Francine Banwarth and Michele Root-Bernstein.

    The kigo "spring thaw" in this haiku matches perfectly with the first two lines. "A New Sound of an Old Instrument" is the title of the 1979 album by Moondog featuring music played on the Breil pipe organ. In the above haiku, "from" is used instead of "of," so we can conclude that it is not referring to a recording of the Moondog album being played as the snow and ice melts, but that the instrument actually exists in front of the poet. Furthermore, since "an" is used rather than "the," we can infer that the instrument does not belong to the poet but rather is being played by someone else. And since the actual kind of instrument is not concretely stated, we can infer that "old" refers not to the physical age of the actual instrument but rather that it is an old kind of instrument. Here we come full circle back to Moondog in imagining it might be a pipe organ. The spring thaw resonates not only with the new sound produced from an ossified preconception of the kind of music that instrument should play, but also shows that the poet's feelings themselves have been freed by the music.

    Selected and commented on by Dhugal J. Lindsay


    https://mainichi.jp/english/articles/20250227/p2g/00m/0su/015000c


    sâmbătă, 1 martie 2025

    haiku foundation kukai

     

    februarie 2025 /  theme -  sky


    Second Prize
     
    a whole life
    in a patch of sky
    bedridden
         — Mirela Brailean 
     
    In the first two lines, we are invited to think of life in a big way, as big as the sky. But the poet keeps the scale of human life in perspective. It is “a whole life,” but seen in just a “patch of sky.” Still . . . there is something breathtaking in the gesture. The third line provides context, even as it offers multiple readings. There is great sadness in a life confined. Perhaps all that can be seen from the bed is a bit of sky through a window. But with those first two lines, it could also be read in an expansive way, as a life unfettered by earthbound limitations. A powerful and moving poem.
     
    https://thehaikufoundation.org/thf-monthly-kukai-march-2025/

    March 1, 2025 (Mainichi Japan)

     

    snowflakes

    first light after

    cataract surgery

    --

    Cezar Ciobika (Botosani, Romania)

    Selected by Dhugal J. Lindsay 

     

     https://mainichi.jp/english/articles/20250227/p2g/00m/0su/010000c?fbclid=IwY2xjawIv-QlleHRuA2FlbQIxMQABHdovL1or0kFY-vE6zhDN5SVXnFffzpLUfGxMSHdTUyTfPjOg-VzA6LbApA_aem_i2bkwrufJv7cnFeKj5VSyQ